The Playwright’s Desk
A submission and career-management app for playwrights, built to organize scripts, guidelines, deadlines, fees, responses, and follow-ups by play rather than by venue.
Award-winning playwright • actor-driven theatre • Wylie, Texas
William A. Smith writes comedy, drama, musical drama, political theatre, Southern Gothic work, and intimate character studies built around sharp dialogue, ethical pressure, humor under strain, and roles actors can truly play.
Smith’s work is built for stages where small rooms become pressure cookers: bus stations, diners, waiting rooms, clinic rooms, public forums, family rooms, and other places where strangers and families finally have to answer for themselves. His background in psychology and law gives the plays a strong sense of motive, consequence, and accountability without losing the humor of people behaving badly under stress.
Primary strengths: actor-centered dialogue, confined-space structure, comedy under pressure, moral reversals, and roles with playable turns.
Production profile: minimal-to-moderate set requirements, strong festival suitability, flexible casting in several works, and a natural fit for intimate black-box and community theatre spaces.
Theater-centered software
A submission and career-management app for playwrights, built to organize scripts, guidelines, deadlines, fees, responses, and follow-ups by play rather than by venue.
A submissions and adjudication platform for theatres, festivals, and new-play programs receiving scripts, managing readers, tracking evaluations, and making decisions.
A theatre-education and production-management app for organizing classes, productions, auditions, casting, rehearsal materials, and day-to-day program administration.
Selected work
A Vatican guesthouse confrontation over climate, faith, responsibility, and spiritual action. Complete; unpublished.
A televised debate fractures into a theatrical reckoning over faith, nationalism, power, and mercy.
A blues-inflected musical journey through grief, memory, and hard-won grace. John’s monologue selected for Smith & Kraus, The Best Men’s Stage Monologues 2024.
Five strangers trapped in a storm-bound diner face secrecy, surveillance, and second chances.
A bus station comedy about delays, detours, and accidental human connection.
A small town famous for honesty is tested by reputation, temptation, and the urge to prove moral superiority.
A reproductive-health clinic waiting room comedy-drama about anxiety, compassion, and small mercies.
A family-room drama built around confinement, memory, and the unspoken cost of survival.
Published by Next Stage Press; 2023 International Playwriting Competition overall winner; co-written with Andrew R. Looney.
Honors & recognition
Productions, readings & publications
Published by Next Stage Press (2023). Staged-reading/production credits include MirrorBox Theatre in Cedar Rapids, Iowa, and Carlow Little Theatre in Carlow, Ireland.
Produced by Fargo Moorhead Theatre in Fargo, North Dakota; published in SHIFT Literary Journal.
Staged reading at LAB Theater Project in July 2023.
Semi-finalist, Stage It! 10-Minute Play Festival; performed by multiple U.S. theatres, 2024–2025.
Danny’s monologue selected for The Best Men’s Stage Monologues 2023.
John’s monologue selected for The Best Men’s Stage Monologues 2024.
Original and adapted work developed and/or produced through Haywood House Theater, Bull Durham Playhouse, Academy of Texas Music, and The Nutt House.
Theatre background
Active catalog as of May 2026
| Title | Form | Genre | Cast | Runtime | Notes |
|---|---|---|---|---|---|
| Covenant | Full-length | Drama | 4 | 110–120 min | A Vatican guesthouse confrontation over climate, faith, responsibility, and spiritual action. Complete; unpublished. |
| The Divide | Full-length | Drama, Political | 4 principal / expandable ensemble | 90–120 min | A televised debate fractures into a theatrical reckoning over faith, nationalism, power, and mercy. |
| The Last Table Diner | One-act | Drama, Mystery/Thriller | 6 | 30 min | Five strangers trapped in a storm-bound diner face secrecy, surveillance, and second chances. |
| Bench Karma | One-act | Comedy | 6 | 22 min | A bus station comedy about delays, detours, and accidental human connection. |
| An Honest Town | One-act | Comedy | 4 | 60 min | A small town famous for honesty is tested by reputation, temptation, and the urge to prove moral superiority. |
| GURGLE | Short | Dark Comedy | 3 | 16 min | A reproductive-health clinic waiting room comedy-drama about anxiety, compassion, and small mercies. |
| Lox and Loaded | One-act | Comedy | 2 | 60 min | Published by Next Stage Press; 2023 International Playwriting Competition overall winner; co-written with Andrew R. Looney. |
| Sherlock Holmes: The Diamond Death | Full-length | Mystery, Drama | 6–8 | 90 min | Stage mystery with classic detective structure. |
| That Time We Got Took | Full-length | Comedy, Farce, Science Fiction | 5 | 70 min | Meanwhile Park Top Five finalist; staged reading at LAB Theater Project. |
| The Burning Magnolia | Full-length | Drama, Southern Gothic | 7 | 90 min | Southern Gothic drama. |
| A Small Room Without Windows | One-act | Drama | 4 | 50 min | Intimate dramatic work. |
| Bagels and Boots | One-act | Comedy | 3–5 | 60 min | Companion piece to Lox and Loaded; co-written. |
| The Elephant Delivery | 10-minute | Comedy | 3 | 12 min | Stage It! 10-Minute Play Festival semifinalist; performed by multiple U.S. theatres, 2024–2025. |
| Layover, Layunder, Lie Down and Weep | 10-minute | Comedy, Dark Comedy, Farce | 5 | 13 min | Fast dark farce. |
| Monster Business | 10-minute | Comedy | 5 | 10 min | Short comedy. |
| Rooms Like This | 10-minute | Drama | 5 | 10 min | Short drama. |
| Still Standing | 10-minute | Comedy | 3 | 10 min | Short comedy. |
| Suspended | 10-minute | Comedy | 2 | 13 min | Two-character comedy. |
| The Common Room | 10-minute | Comedy | 3 | 10 min | Short comedy. |
| The Courtroom Circus | 10-minute | Comedy, Legal Drama | 5 | 10 min | Legal/courtroom satire. |
| The Last Storyteller | 10-minute | Drama | 2 | 10 min | Two-character drama. |
| The Regulars | 10-minute | Drama | 2 | 12 min | Short drama. |
| The Why Are You Here People | 10-minute | Comedy, Dark Comedy, Adventure | 2 | 13 min | Produced by Fargo Moorhead Theatre; published in SHIFT Literary Journal; Heartland Theatre Company semifinalist. |
| Trail Mix Hotel | 10-minute | Comedy | 2 | 12 min | Short comedy. |
| Water, Water | 10-minute | Drama | 2 | 11 min | Danny’s monologue selected for Smith & Kraus, The Best Men’s Stage Monologues 2023. |
| Miss Harper Has Had Enough (But Maybe Also Learned Something?) | Monologue | Comedy/Drama | 1 | 15 min | Solo piece with comic and dramatic range. |
Submission bio
William A. Smith is an award-winning playwright whose work explores ordinary people in confined spaces who run out of room to avoid each other — driven by character, nuance, and the moments that quietly refuse to be ignored. An alumnus of the American Academy of Dramatic Arts with backgrounds in psychology and law, he brings 40+ years of theatre experience across comedy, drama, Southern Gothic, political allegory, and the blues. Lox and Loaded, co-written with Andrew R. Looney and published by Next Stage Press, won the 2023 International Playwriting Competition in Carlow, Ireland. He lives and writes in Wylie, Texas.
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